Gigi (film, 1958)

Paris, principal site de tournage extérieur :
Tuileries, Tour Eiffel-Champ de Mars

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Leslie Caron
Maurice Chevalier
Louis Jourdan

Pour plus de détails, voir Fiche technique et Distribution

Gigi est un film américain réalisé par Vincente Minnelli et sorti en 1958.

À Paris, l’éducation de la jeune Gigi (Leslie Caron), dont la mère célibataire est accaparée par son travail à l’Opéra-Comique, est confiée à sa grand-mère Mamita (Hermione Gingold) et à sa tante Alicia (Isabel Jeans). Cette dernière, qui a vécu richement entretenue, concocte pour Gigi une vie galante semblable à celle qu’elle a connue. Mais les plus grandes joies de Gigi sont des plaisirs simples comme ces moments partagés avec l’élégant et riche Gaston Lachaille (Louis Jourdan) lors des visites régulières que celui-ci rend à la famille amie. Sans qu’il le réalise encore, Gaston est amoureux de Gigi qui, de son côté, ne rêve que de lui et de devenir sa femme. Les parentes-entremetteuses perçoivent leurs sentiments amoureux et proposent à Gaston d’entretenir Gigi. Alors que cette dernière s’apprête à contrecœur à accepter cette solution pour vivre avec l’amour de sa vie, Gaston se rend compte de la profondeur des sentiments que Gigi lui porte et vient demander, en bonne et due forme, sa main à sa grand-mère.

Lyrics d’Alan Jay Lerner et musique de Frederick Loewe :

L’édition discographique diffère en nombre de titres et de l’ordre chronologie des chansons du film.
1958 : BO de Gigi, lyrics d’Alan Jay Lerner et musique de Frederick Loewe, MGM Studio Orchestra dirigé par André Previn, arrangements par Conrad Salinger, album original 33 tours 30 cm stéréo MGM Records, réédition CD RDM Édition (2010), . Liste des titres :

Le projet est initié par l’actrice Leslie Caron qui propose le sujet aux studios de la MGM avec lesquels elle est presque en fin de contrat et alors sous-employée.

Le scénario de Vincente Minnelli est basé sur la nouvelle de Colette. Bénéficiant d’importants moyens

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, Minnelli réalise, en une suite de tableaux hauts en couleur, une reconstitution somptueuse et particulièrement soignée, voire idéalisée de la Belle Époque.

Les extérieurs sont, pour la plupart, tournés à Paris : dans les célèbres jardins des Tuileries et du Luxembourg

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, autour des Champs-Élysées et au bois de Boulogne pour l’essentiel.

La mise en scène est inspirée et brillante comme toujours chez cet artiste, à la fois peintre et cinéaste. L’interprétation est pleine d’assurance et, fait rarissime dans le cinéma hollywoodien, n’utilise que des artistes français pour incarner les personnages principaux.

Le film s’ouvre et s’achève sur la célèbre chanson de Maurice Chevalier vantant la séduction des « little girls ».

Sur les autres projets Wikimedia :

Savinien de Rilly

Vous pouvez partager vos connaissances en l’améliorant (comment 

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?) selon les recommandations des projets correspondants.

Si vous disposez d’ouvrages ou d’articles de référence ou si vous connaissez des sites web de qualité traitant du thème abordé ici, merci de compléter l’article en donnant les références utiles à sa vérifiabilité et en les liant à la section « Notes et références » (, comment ajouter mes sources ?).

Savinien de Rilly ou Sabinien ou saint Savinien est un saint chrétien, martyr en 275, fêté le 29 janvier.

Savinien, premier apôtre du christianisme dans le diocèse de Troyes, est un Grec venu en 271 de l’île de Samos jusqu’à Troyes, pour enseigner l’évangile.

L’empereur Aurélien qui se trouvait alors en Gaule, et qui persécutait les Chrétiens, effrayé par son idolâtrie, le fit enfermer. Savinien arriva à s’enfuir en suivant la Seine et chercha refuge à Rilly. Poursuivi par les soldats, il fut rejoint dans ce village et y eut la tête tranchée le . Sa sœur Savine expira de douleur dans un autre village, qui par la suite pris le nom de Sainte-Savine et appartient aujourd’hui à la Communauté de l’agglomération troyenne (CAT).

La sépulture, ignorée jusque vers la fin du IIIe siècle, fut retrouvée par Sainte Syre, une veuve du pays d’Arcis-sur-Aube (pagus Arcensis), originaire d’Irlande ou d’Écosse. Étant aveugle, elle fit un pèlerinage jusqu’au lieu où elle pensait trouver Savinien. C’est ainsi qu’elle arriva au village, guidée par un enfant à Rilly, et qu’elle recouvra la vue lorsqu’elle fut sur le lieu où saint Savinien était enterré. Ne doutant pas que Savinien venait d’opérer un miracle en sa faveur, elle creusa le sol et retrouva le corps du martyr en parfait état de conservation. Sainte Syre fit, à cet endroit, élever un tombeau pour l’ensevelir et fit également construire une chapelle.

Macropoma

Dessin de Macropoma mantelli.

Genre

 Macropoma
Agassiz, 1843

Macropoma est un genre éteint de Coelacanthimorpha

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. Il a vécu au Crétacé supérieur (Turonien) il y a environ entre -94 et -90 Ma (millions d’années). C’est un des plus proches parents des espèces encore vivantes de cœlacanthes

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, celles du genre Latimeria.

Des fossiles de Macropoma ont été découverts en Angleterre et en Tchécoslovaquie. Ces fossiles mesurant 60 cm sont deux à trois fois plus petits que les cœlacanthes modernes mais leur morphologie est très ressemblante

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.

Sur les autres projets Wikimedia :

Louise Bénédicte de Bourbon

Louise Bénédicte de Bourbon (Anne Louise Bénédicte; 8 November 1676 – 23 January 1753), was the daughter of Henri Jules de Bourbon, Prince of Condé and Anne Henriette of Bavaria. As a member of the reigning House of Bourbon, she was a princesse du sang. Forced to marry the Duke of Maine, legitimised son of Louis XIV and Madame de Montespan, she revelled in politics and the arts, and held a popular salon at the Hôtel du Maine as well as at the Château de Sceaux.

Louise Bénédicte was born on 8 November 1676 at the Hôtel de Condé in Paris. She was the eighth child born to the then Duke and Duchess of Enghien. The name Bénédicte was added in honour of the girls maternal aunt, Benedicta, Duchess of Brunswick-Lüneburg.

She was brought up at the Hôtel de Condé with her many sisters and had to endure slave-like conditions under the madness of her father. Her mother, who was pious and gentle, was often beaten by her father as were their staff and her sister Marie Anne, Mademoiselle de Montmorency. When formally addressed, Louise Bénédicte was known as Mademosielle d’Enghien. As a princess of the blood, she possessed the style of Serene Highness. When she was nine years old, her father was given the title of Count of Chalorais, and as a result Louise Bénédicte became known as court as Mademoiselle de Charolais. This appellation would later pass to her niece Louise Anne.

She was very outspoken and witty, and had a terrible temper. As she was very small and paid much attention to her appearance, she was nicknamed poupée du Sang at the French court, literally, „Doll of the Blood“, a play on the honorific princesse du sang, princess of the Blood. This nicknamed is sometimes said to have been made up by her sister-in-law the Duchess of Bourbon. She was close to her sister Marie Anne, whose marriage to the Duke of Vendôme (1654–1712) she later arranged. Although born with a lame arm, she was generally thought to be the most attractive of the Condé daughters. Despite this Madame, Duchess of Orléans, sister-in-law of Louis XIV called her a „little toad.“ Some time after her marriage, the Duchess of Orléans also said that „Madame du Maine is not taller than a child ten years old, and is not well-made. To appear tolerably well, it is necessary for her to keep her mouth shut; for when she opens it, she opens it very wide, and shows her irregular teeth. She is not very stout, uses a great quantity of paint, has fine eyes, a white skin, and fair hair. If she were well-disposed, she might pass, but her wickedness is insupportable“. She was very short like her older sister Anne Marie, Mademoiselle de Condé. Louise Bénédicte and her oldest sister Marie Thérèse de Bourbon, known as Mademoiselle de Bourbon until her marriage to le Grand Conti in 1688, were considered the most attractive out of the daughters born to the Condés.

Mademoiselle d’Enghien received the typical education given to girls of the nobility in France and was taught reading, writing, dancing, singing and other matters which were considered necessary for a young aristocrat. She spent most of her time in the company of her mother and two older sisters.

At first, it was proposed that she marry Louis de Bourbon, Count of Vermandois, son of Louis XIV and Louise de La Vallière. However, the count died in exile in 1683. Louis XIV arranged several marriages into princely houses of France for his legitimised children by Louise de La Vallière and . Prior to her marriage, she saw the marriage of Philippe d’Orléans to Mademoiselle de Blois, future duchesse d’Orléans. Louise Bénédicte’s own brother Louis de Bourbon had even had been forced to marry Mademoiselle de Nantes, eldest legitimised daughter of Louis XIV and Madame de Montespan.

In 1692, the 15-year-old Louise Bénédicte married the 21-year-old Louis Auguste de Bourbon, Légitimé de France, Duke of Maine.

The wedding ceremony took place on 19 May 1692 in the chapel of the Palace of Versailles, Madame de Montespan was not invited but all of Maine’s siblings attended as well as the princes and princesses of the blood. As both the groom and his wife were physically handicapped, members of the court joked that „look at the union of a one-armed woman and a lame man! What a beautiful couple!“. The marriage was not happy. The couple did not like each other, Louise Bénédicte found her husband weak and abhorred his lack of ambition. He could not stand her terrible temper and deliberate attempts to embarrass him at court. Louise Bénédicte’s is said to have had several affairs which were known to Maine. To her husband, she was recorded as saying, „Just look at yourself – a lame bastard! – and you’d like to boss me? I am a pure bred royal princess, Monsieur, with no stain on my cradle! What would you be without the sticks at which everyone laughs? One to support your body, and the other, me, to maintain your rank! And this Leggy wants to rule my steps!“ (Since Maine limped, his wife called him ‚Gambillard‘, which meant leggy).

In order to escape the dull court of Madame de Maintenon, Louis XIV’s secret wife since October 1683, the enthusiastic duchesse du Maine created a little court at the Château de Sceaux, where she entertained brilliantly and immersed herself in political intrigues. The château, the former residence of Jean-Baptiste Colbert and his family, was bought in 1700 by her husband for the sum of 900,000 livres. Louise Bénédicte spent a further 80,000 livres on its furnishings and decorations.

After extensive renovations, she took up residence in December 1700. There, she began to be called La Reine des Abeilles, or Queen of the Bees. In 1703, to amuse herself, Louise Bénédicte created her own personal chivalric order, the Order of the Honey Bee. She gave the order to thirty-nine people. Each member had a robe embroidered with silver thread, a wig in the shape of a beehive and a medal embossed with a profile of Louise Bénédicte and engraved with the letters L. BAR. D. SC. D.P.D.L.O.D.L.M.A.M, meaning Louise, baronne de Sceaux, dictatrice perpétuelle de l’ordre de la Mouche à miel

To her small court, Louise Bénédicte attracted a host of literary figures of the day, including the young Voltaire, the baron de Montesquieu, the cardinal de Bernis, the comte de Caylus, Charles-Jean-François Hénault and Jean-Baptiste Rousseau.

In 1710, she helped to plot the marriage of her sister, Marie Anne, Mademoiselle de Monmorency, to the famous general Louis Joseph de Bourbon, duc de Vendôme. For mercenary reasons, Louise Bénédicte wanted a marriage that would not produce any children. Upon the death of a childless Vendôme, Louise Bénédicte hoped that she or her children would inherit the duke’s huge estate, which he had acquired as the grandson of the rich heiress, Françoise of Lorraine. At thirty-two, Marie Anne was considered past child-bearing age, and Vendôme was a well known homosexual, thirty years older than his prospective bride. As it happened

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, though, Louise Bénédicte got nothing. On the duke’s death, Marie Anne was created Duchess of Étampes in her own right and inherited the Hôtel de Vendôme in Paris, where she died in 1718 from alcoholism.

Both the Maines doted on their children. Their daughter, who would remain close to her mother until her death, was baptised at Versailles on 9 April 1714. Mademoiselle du Maine was given the name of her paternal aunt Louise Françoise de Bourbon, known at court as Madame la Duchesse. Madame la Duchesse had grown up with Maine under the care of Madame de Maintenon.

The guest of honour at the baptism of Mademoiselle du Maine was the small dauphin, the future Louis XV, who was chaperoned by Maine’s other sister, the new Duchess of Orléans. The cardinal de Rohan baptised Mademoiselle du Maine. Thanks to the help of Madame de Maintenon, who had always loved Maine, Louis XIV created Maine a Prince of the Blood which put him in line of succession to the throne. In his will, Louis XIV also appointed Maine to be the Regent of France for his five-year-old great-grandson, the future Louis XV.

At the death of the king in 1715, however, the Parlement de Paris annulled Louis XIV’s will and named Maine’s brother-in-law, Philippe d’Orléans, Duke of Orléans, as Régent for the child king. Upset with this and the role played by the duc d’Orléans in reducing the status of the legitimised children of Louis XIV from the rank of Princes du Sang (which Louise Bénédicte had enjoyed since birth) to mere peers of France, Louise Bénédicte induced her husband to join in the Cellamare Conspiracy in the hope of transferring the regency to King Philip V of Spain, the uncle of Louis XV. The plot was named after Antonio del Giudice, Duke of Giovinazzo, Prince of Cellamare, who was the Spanish ambassador to France.

In order to gain more support for a new regent, Louise Bénédicte started a correspondence with Giulio Alberoni, the Spanish Prime Minister. Among her co-conspirators were the Duke of Richelieu and Melchior de Polignac. The plot, however, was discovered, and both the Maines were arrested and forced to abandon their residence at Sceaux. In 1719, the duke was imprisoned in the Doullens fortress and the duchess in Dijon.

Their two sons were put in the care of their governor in Gien, and their daughter was taken from a convent at Maubuisson to another convent at Chaillot in Paris, in the area of the present Trocadéro

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. She stayed at Chaillot till 1720 when her parents were released from their separate imprisonments. After her release, Louise Bénédicte led a more peaceful life at Sceaux, still surrounded though by her little court. At the time of her imprisonment, she was trying to arrange the marriage of her eldest son, Louis Auguste de Bourbon, heir to the Maine’s fortune, to his cousin Charlotte Aglaé, Mademoiselle de Valois.

The rivalry between the Maines and Charlotte Aglaé’s father, the Duke of Orléans, was well known, and it was hoped that the wedding would heal old wounds. A marriage did not occur, however, as the young Mademoiselle de Valois refused her cousin, much to the annoyance of the proud Louise Bénédicte. Madame du Maine was not happy when she found out that Charlotte Aglaé had considered the hand of another cousin, Charles de Bourbon, the son of Monsieur le Duc, Louise Bénédicte’s brother, and Madame la Duchesse, Maine’s sister.

After their release from imprisonment in 1720, the Maines seemed to have reconciled and led a more compatible life rather than being hostile to each other. In May 1736, the duke died at the age of sixty-six. Louis XV allowed Louise Bénédicte to keep her apartments at Versailles next to those of her daughter. These apartments overlooked the Orangérie. Both her sons also had apartments at court, but both preferred to stay in the country hunting. Madame du Maine tried on more than one occasion to arrange an advantageous marriage for her daughter. First to one Monsieur de Guise, but that marriage never materialised. Later, she tried to convince the widower Jacques I, Prince of Monaco, who was often at Versailles, to wed again. Despite the lure of a large dowry, both men considered Mademoiselle du Maine to be very unattractive. Unwed, she died in 1743. She was buried at the Église at Sceaux. At the time of her death, her library was numbered at having some 3000 books.

In 1736 Louise Bénédicte received the Château de Montrond and then, in 1737, she acquired the Hôtel Biron (today the musée Rodin), in Paris, where she died. During her lifetime, it was referred to as the Hôtel du Maine. She died at the Hôtel du Maine on 23 January 1753. Dying at the age of seventy-six, Louise Bénédicte had outlived all of her siblings. She was buried at the Saint Jean-Baptiste church in Sceaux. Her oldest son, Louis Auguste, died less than two years after her, having been injured in a duel at Fontainebleau. Her youngest surviving son, Louis Charles, never married and died childless in 1775. He left his fortune to his first cousin, the already wealthy Louis Jean Marie de Bourbon, Duke of Penthièvre.

Media related to Louise Bénédicte de Bourbon at Wikimedia Commons